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SESAME STREET: 40 AND STILL COUNTING
09.13 GMT, Friday, 6 November 2009 UK |
Before you are
introduced to the characters from Sesame Street you are handed a list of rules and
suggestions - the sort of thing you are given before meeting members of a royal family.
Some of the puppet protocol is obvious enough - you are politely discouraged from
attempting to establish if Bert and Ernie are gay - but some is a little more subtle.
When you meet Elmo for example - you must remember that he is
only three years old.
So questions about the significance of Sesame |
Big Bird, Elmo and friends have been educating and entertaining generations of
children. 
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Street's 40th anniversary or the
challenges of adapting it for any of the 120 foreign markets in which it is now
established are out.
They are as meaningless to Elmo as they would be to any three-year-old child.
If you want to see what happens when someone ignores the rules take a look at the
encounter between Ricky Gervais and Elmo which you can find on YouTube.
It begins with the comedian establishing his own version of the puppet etiquette -
no talk about drugs, child abuse or the Holocaust.
And it proceeds - via a mention of necrophilia, surely
something of a first on Sesame Street - to a discussion of why Elmo goes around naked all
day in his natural red fur but then puts on pyjamas before going to bed.
Elmo takes it all in his stride.
"It's called acting, Mr Gervais. ACTING," he declaims grandly.
The journalists who are being invited to meet Elmo to mark the programme's
anniversary probably tend to be a bit less challenging than that - I certainly was.
But of course, while we would tend to stick rigidly to the rules, there is no
guarantee that Elmo will. Bundle of love
In fact, in the hands of Kevin Clash, the brilliant puppeteer who is always on hand
whenever Elmo appears in public, the rules tend to go out the window.
Elmo is a bright-red bundle of love, curiosity, innocence and energy in the show -
and in person he is extraordinarily compelling.
He seems so real, for want of a better word, that the producer working on the story with
me instinctively pointed the microphone at the puppet's mouth, not at Kevin Clash. Happens
all the time apparently.
I gamely applied the rules - as best I could - asking Elmo such age-appropriate
questions as the name of his best friend.
Elmo, of course, is bound by no such rules and is thus able to run rings around his
interviewers - or at least, this interviewer.
Having established where I lived in the US, Elmo was able to recommend the oysters
in a local Cajun restaurant - not quite what you would expect from a three-year-old.
Nor was his explanation of why he does not have eyebrows - a taste for very hot
wasabi, it seems.
Kevin Clash - apart from having a mischievous sense of humour - infuses Elmo with
life. When you are in the character's company he seems as real as you seem yourself and
his co-stars, Rosita and the Telly Monster exude a similar, life-like charisma.
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Powerful tool
Telly Monster is meant to be only five but in the hands of Martin P Robinson, his
human alter ego, he radiates the sort of amused world-weariness you would associate with a
stand-up comedian from the days of vaudeville.
Rosita - played by Carmen Osbahr - has a mildly flirtatious quality which I must
confess to finding rather attractive.
And if you think that sounds ridiculous, you will just have to take my word for it
that when you are in the company of the puppets, it is easy to find yourself captivated by
them.
And of course that is precisely what makes Sesame Street such a powerful tool for
teaching - not for nothing is it known as the world's greatest informal educator.
Children are spellbound by the characters and are drawn into a world where it seems
somehow natural to absorb their letters and numbers as they watch.
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Sesame St has adapted to foreign markets with local puppets
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In the episode we saw being filmed for example,
the letter "I" goes missing - stolen by a dog. Telly and Elmo do eventually get
it back of course, but as they do there is plenty of discussion about how the letter is
able to make two distinct sounds.
"I" is for ice cream of course, but it also starts the word
"iguana" too
it is a painless way for children to embark on the path to
literacy and numeracy.
And of course, there is more to education than simply learning your numbers and
letters. Sesame Street has an explicit social purpose too - lessons about the importance
of learning to share, and about tolerance, are part of the mix as well.
Rosita, for example, is an immigrant from Mexico - one of her jobs is to teach the
audience a word of Spanish every day - and the manner in which she is accepted by the
other characters teaches young Americans an important subliminal message about inclusion
and social cohesion.
Lessons taugh
The Sesame Street formula is powerful and flexible. The format has been exported to
about 120 countries where it is fine-tuned to take account of local circumstances.
The South African version, for example, includes a character called Kami who is HIV
positive and whose mother died of HIV\AIDS. The use of a puppet in a children's TV series
to teach lessons about tolerance and bereavement is proof that Sesame Street is
flourishing as it reaches its 40th birthday and still finding new worlds to conquer.
Inevitably, as Sesame Street's anniversary approaches, you will hear lots of facts
and figures about the scope and scale of its reach - foreign markets conquered, number of
episodes taped, total weeks that its hit songs (Rubber Ducky) have spent on the
charts
that type of thing.
But the things that really matter cannot be counted - the number of hearts that
have been lifted and the number of imaginations that have been fired over the years.
The Sesame Street mixture of slapstick, artfully disguised education and gentle
moralising is a robust one and it seems certain to last many more years - continuing to
teach the children of the world not just how to count, but how to become the kind of
people who can be counted on. |
Source: http://news.bbc.co.uk/
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This fan site
webpage is created, Graphics designed and maintained by MuppetDanny. All Muppets, Bear characters and
photos, clips, logos, sounds, info are copyright of the Muppets Holding Company. Sesame Street characters and photos, clips,
logos, sounds, info are are copyright of Sesame Workshop. Fraggle Rock, Creature Shop and similar likenesses
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Holding Company & Sesame Workshop nor do I represent them. |
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